An Autumn Downtown Littleton Photo Contest

Andy Marquez loves Littleton and he wants to show it. So much so, that the renowned local photographer and gallery owner is sponsoring the “An Autumn Downtown Littleton Photo Contest”. Submit your five best photographs that you feel capture the beauty and charm of Downtown Littleton.

 

 

Shots must be taken from

Monday, October14th, through Sunday, December 1st, 2013

Deadline for entry is Monday, December 2nd

Reed Art & Imaging will offer a one time, 20% DISCOUNT, just for entering the contest

BEST OF SHOW winner receives a 21 Hour Intensive Photoshop Training 5 DVD Set

from Reed Art & Imaging

Additional prizes for —

1st PLACE, 2nd PLACE, B & W and Color

— courtesty of Colorado Business Bank, Colorado Frame Company and

McKinner’s Pizza — with much more to come!

Winners will be announced December 1st, 2013

Please call (303) 797-6040 for more information

andy_m

Open Studios – Boulder, CO – 2013

Held annually the first two weeks of October, the Open Studio art walk gives the savvy art buyer the opportunity to see firsthand the creative processes and view new and yet unseen works by the area’s top artists from Boulder, Eldorado Springs, Nederland and other mountain communities. Since much of these showings are happening outside the gallery setting, the bargain hunter just might negotiate some fantastic deals.

While on a consultation in Boulder, I was blessed to get an early viewing of the works of one of the area’s great talents: Samantha Weston. A petal3-2conversation with Samantha revealed that her work is devoid of what I call “happy accidents.” Rather her work is mature with strong lines and an emphasis on color. Her work has depth and conveys thought, purpose, emotion and ElkBirdintuition.  While she freely admits that her ceramics are not her primary focus, they still display her careful nature and attitude for precision and perfection, all while presenting a rootsy, rustic sense of presence. Her perfection shines not just in her pieces, but her hand crafted frames that boast build accuracy that would make any master carpenter proud.  Her catalogue overall is quite impressive and contains pieces that would fit almost any interior from shabby chic through modern and victorian to industrial.  Samantha is also easy to talk to – getting to know the artists is a big part of what the Open Studios project is all about.  Her studio is located at 2045 Mapleton Ave., Boulder.

The show runs the first two weekends of October. More information can be found on the Open Studios website: http://www.openstudios.org

Maps are available for a small fee at the following merchants – though it might be a good idea to call ahead and make sure they still have some in stock:

 

Map Sales: Participating Merchants

Boulder

Whole Foods Market (Baseline, Pearl Street and Ideal Market)
Boulder Bookstore
Boulder Arts and Crafts Gallery
Jacque Michelle
Art & Soul Gallery
Barnes & Noble Booksellers
Meininger Art Supply
Mercury Framing
Silverleaf Framing
Logan’s Espresso

 

Denver
Whole Foods Market (Cherry Creek)

Lafayette
Lafayette Florist

Superior
Whole Foods Market

 

Has This New Sony Changed the Photo Landscape for the Better?

Sony-Cyber-shot-QX100-Premium-“Lens-style-Camera”-4Smartphone photography has been lacking some important features – that is, until now. With Sony’s release of their QX Series “Lens Style Cameras” the camera-phone concept reaches new turf.

The two features I miss most when shooting with my Samsung Galaxy or my iPad are depth of field control and real optical zoom. Both are now possible with this fantastic add-on.

This concept replaces the traditional camera’s body with your mobile device giving you the potential of a really massive view screen. Imagine a point and shoot with 10″ LCD and you get the idea. These lens-style cameras are compatible with any iOS or Android device that will run Sony’s app and can connect via wi-fi or NFC one-touch. Because the camera contains it’s own password protected wi-fi hotspot, no separate wi-fi network is required.

The camera does not need to be attached to your mobile device to operate.

The camera does not need to be attached to your mobile device to operate.

The camera does not need to be attached physically to your device so it can be controlled remotely.  A feature that could come in handy for photographers looking for a remote camera with live view and wireless tethering features. Sony claims the maximum wireless distance varies depending on the phone or tablet and local conditions.  Candid street photographers will appreciate the camera’s built-in shutter release and MicroSD memory card that allow for un-tethered shooting.   Keep your phone on and the app running and every shot will automatically backed-up with a 2MP file to your phone for fast social sharing or uploading to flickr (or our weekly facebook photo theme and contests). While the idea of syncing your pocket camera to your mobile device is not new, Sony’s approach to the mating the two is. What I really love about this approach is the convenience of reduced bulk by no longer carrying both a phone and a full pocket camera. The two can become one when it’s ideal and can separate whenever you like.

The Premium Cyber-shot DSC-QX100 ($500 MSRP)weighs 6.3oz complete and is equipped with a 1.0 inch, 20.2 MP Exmor® RCMOS sensor. The same sensor used in their Cyber-shot RX100 II camera.  This ultra-low noise sensor is suitable for low-light night shooting.  If that’s not enough, Sony added a wide-aperture (f/1.8 – f/4.9) Carl Zeiss® Vario-Sonnar T* lens with 3.6x optical zoom (28mm to 100mm @35mm equivelent) with a dedicated control ring for adjustment of manual focus and zoom – just like the big boy cameras.

The DSC-QX100 includes several shooting modes including Program Auto, Aperture Priority, Intelligent Auto and Superior Auto, which automatically recognizes 33 different shooting conditions and adjusts camera settings to suit and will shoot full HD video at a smooth 30 frames per second with audio.

High-Zoom Cyber-shot QX10 ($250 MSRP) includes 18MP 1/2.3 Exmor RCMOS sensor and 10x optical zoom – made possible by the smaller format sensor – and a Sony G Lens. the QX10 weighs in at less than 4 oz and measuring about 2.5”X2.5”x1.3”.

Additionally, the camera has built-in optical image stabilization, has Program Auto, Intelligent Auto and Superior Auto modes to choose from, and will be available in two different colors – black and white.

https://blog.sony.com/2013/09/cybershotqx/ for more.

We will contribute 50+ fine art prints for ‘Picture Me Here’ show of art photography by immigrant youth

CPAC LogoCPAC has an exhibit opening in October called ‘Picture me Here’. We are printing 50 or so 10×15″ prints for them to display. All shot by local kids 15-20 y/o that are immigrants. This is part of a 20 year program committed to by several local charities to help document and train immigrant youth in the Denver Area.

About CPAC:
The Colorado Photographic Arts Center is dedicated to fostering the understanding and appreciation of photography in all aspects and genres through promotion, exhibition, and education. Our purpose is to be a premier destination for the photographic arts and to benefit our existing photographic culture by nurturing new talent, expanding concepts, generating skills, piquing interest, and contributing to a sustainable market for collectors and artists. Funding is provided by income from classes and workshops, annual membership dues, donations, and grants. CPAC receives grants from the Scientific and Cultural Facilities District (SCFD), Tier III.

 

You can read Westword’s article on the show here: https://blogs.westword.com/showandtell/2013/10/picturemehere.php

Reed to Sponsor Family Portrait Day at Denver Botanic Gardens

CPAC Fam Port Day-1 CPAC LogoCPAC – We are helping sponsor a fundraiser for CPAC and Denver Botanical Gardens called Family Portrait Day.  6 photogs are shooting at the gardens Oct 6th, 2013 with proceeds going to both non-profits. We are supplying a coupon to each family that signs up for a portrait to get their prints made at Reed. In turn we will contribute 50% of the proceeds to CPAC and DBG

Download the event flyer here: CPAC Family Portrait Day Flyer

About CPAC:
The Colorado Photographic Arts Center is dedicated to fostering the understanding and appreciation of photography in all aspects and genres through promotion, exhibition, and education. Our purpose is to be a premier destination for the photographic arts and to benefit our existing photographic culture by nurturing new talent, expanding concepts, generating skills, piquing interest, and contributing to a sustainable market for collectors and artists. Funding is provided by income from classes and workshops, annual membership dues, donations, and grants. CPAC receives grants from the Scientific and Cultural Facilities District (SCFD), Tier III.

If you can’t find what you are looking for…

Looking for something we don’t offer? First we recommend you use our built-in search feature to locate it here on our site. If what you are looking for is a product or service we don’t provide, we would love to hear from you! We are always open to new ideas and fresh ways we can serve the creative professional.

Now, if you just have to leave our site…

Below is a short list of directory sites tailored to the creative professional. Some of these sites offer back-links to help you with your website’s SEO.  We have zero affiliation with these sites so we have no control over their content or the safety of you and your data when you leave. Be careful, it’s a jungle out there.

http://www.freephotogallery.info

Colorado Photography Festival 2013

Held from August 10th – 15th, this 6 day workshop is chock full of classes, workshops and photo adventures. The event starts off with back to back presentations by 5 ultra-talented photographers who will provide thought provoking discussions and slide shows that will educate and inspire. The kick-off presentation by Glenn Randal (www.glennrandall.com) is destined to be a great opportunity for the Auto-exposure only crowd seeking to get the most out of their cameras by learning the benefits and intricacies of going manual for maximum creative control. Grant Collier’s

presentation on night-time landscape photography (www.gcollier.com) will surely be a crowd pleaser. Grant’s portfolio and experience in shooting night-scapes under the stars is nearly unmatched. If you have ever experienced shutter-block ( my name for the photographers equivalent to writer’s block), Dan Ballard’s (www.danballardphotography.com/) presentation on unlocking your creative potential is sure to provide you with tools to expand your artistic vocabulary while providing some preventative medicine for those times when shutter-block show up.

There are many outstanding workshops available throughout the remaining 5 days and some are so promising they are virtually guaranteed to fill up fast. Click here to learn more and register for this event.

Reed Art & Imaging is proud to again sponsor the Colorado Photography Festival.

5 Ways Your Camera Can Get You Busted

5WaysCameraGetYouBusted

One of the basic rules of citizen and professional journalism is:

“If it’s in public view and you’re on public property, you have the right to photograph it.”

Most of us would rather spend a week in the Department of Motor Vehicles before intentionally breaking the law. Unfortunately, as in all of life, the above rule is subject to many grey areas, areas that, without some forethought and a healthy dose of common sense, can spell legal trouble for Joe or Jane Photographer. So there are some caveats to consider before planning your next public photo venture.

An addendum to the first rule:

“Just because you have the right to take a picture does not always mean it’s prudent to do so.”

Also remember, there’s a big difference between taking a photo and how a photo is utilized, especially in regards to its commercial use. The issue of copyright is vast and ever-changing but that’s another story for another day. This list will focus on keeping you out of hot water during the photo op.

 

1) The Clear As Mud “Reasonable Expectation of Privacy” Rule

Be it amateur or professional photography, photojournalism or just plain photo-opportunism, the old catch-all rule of “reasonable expectation of privacy” is being strained to its limits.

Digital photography, the Internet, and most of all, the fact that an estimated 87% of the population does not leave the house these days without a camera (phone), ensures that everyone is a potential media maven.

Though they are bound by the same rules as professionals; I would guess, of that 87%— 86.9% are ignorant of privacy laws and have little interest in learning about them.

So this commentary is aimed at you, the serious and semi-serious devotee who works at and respects the art and craft of photography.

“Reasonable expectation of privacy” often comes down to context. Using a seemingly innocuous photo of a person (especially if they are well known) to illustrate a controversial article or story, is playing with legal fire.

On the other hand, elected officials and well known public figures give up certain rights to privacy when they make the decision to enter the public arena (this is where the “clear as mud” part comes in).

Applying this to a more un-famous level, a violation of privacy can occur with:

“The intentional intrusion upon the solitude or seclusion of another or his private affairs or concerns that would be highly offensive to a reasonable person.” Restatement of Torts 2d, Section 652B

Again the “clear as mud” part takes effect when the term “highly offensive to a reasonable person” rears its ugly head.

A “reasonable person” is often described in legal terms as a “person in society who exercises average care, skill, and judgment in conduct and who serves as a comparative standard for determining liability”.

A reasonable person is NOT the narcissistic pinhead who ambushes that lovely photogenic, hopelessly in-love couple in the park by circling around them a lá Cecil Beaton, motor-drive clicking away, as he bellows at them to “Work it!!”

This is very likely to get you a civil suit or a punch in the nose, and in this litigious age, the punch in the nose might be the lesser of two evils.

 

2) Barging Into a National Park Thinking You’re Spike Lee

National parks may have certain restrictions particular to them. Before a frame can be exposed, anything that smacks of commercial photography may carry limitations and possibly liability considerations. The proprietors at Yellowstone Park, for example, will not be thrilled if you waltz in with your production company and expect to shoot your indie film at the expense of the stunning natural surroundings. Permits will likely be required in cases such as:

A) Activity taking place in restricted area(s) of the park.

B) Using any sets, props, crew, actors, etc., that are not part of the natural surroundings or facilities.

C) Administrative expenses that park officials may incur to monitor and coordinate activity.

These examples may sound extreme for the average photographer who just wants to get off the beaten path and snap a few stills, but if they apply to you, skirting the bounds of any one of these points is likely to attract unwanted attention from park officials. If, however, you are a commercial or pro photographer and plan to stay on the beaten path, the same park rules that apply to the average visitor will generally apply to you. In the end, rules and regulations can vary from state to state and are often selectively enforced, so always check with The Local Powers That Be.

 

3) Showing Unusual Interest in Government Buildings, Military Installations or Barak Obama’s House

Yes, things are vastly different in the post 911 world. The New Normal has not been kind to Joe and Jane Photographer, particularly as it relates to government and military installations. Here’s the gist of the US Code, Sec. “Photographing and sketching defense installations”:

“… it shall be unlawful to make any photograph, sketch, picture, drawing, map, or graphical representation of such vital military and naval installations or equipment without first obtaining permission… and promptly submitting the product obtained to such commanding officer or higher authority for censorship…”

If you want to argue citizen’s rights with a two hundred and seventy-five pound MP (military policeman), go right ahead, but as anyone who’s spent time in a military brig will tell you, it’s a guaranteed no-win proposition.

And besides, US Code, Sec. “Photographing and sketching defense installations” sez so.

 

4) Despite Their “Awww Factor”, Children Have Rights Too

Yes, kids are adorable and they make great photo subjects, but no matter how benign ones intent, following them around a public street or park like a deranged paparazzi will quickly attract the wrong kind of attention.

Even if they may not know them, the average passerby is generally protective enough of small children to get on their cell phone and alert the police. Again, even with the most innocent of intentions, a photographer can find themselves in real trouble over seemingly nothing.

Children are entitled to a reasonable expectation of privacy in public; the same rights as everyone else. There’s not much they can do discourage the random nut job with a camera— and they don’t have the punching ability of Sean Penn. So, to avoid jail, keep a healthy distance from the little ones, or at least clear it with their parents before snapping away.

 

5) Photographing the Police While They’re in the Process of Beating The Crap Out of Someone

Okay, that headline may sound a little hyperbolic, but this has become an ongoing issue with the advent and proliferation of digital photography amongst the general populace. To be clear, any US citizen has the legal right to photograph an officer of the law while he or she is in the act of doing their job in a public place. Assuming that you are photographing from a reasonably safe distance from the action, you should be on fairly solid legal ground. Problems can arise however, when said law officer perceives said photographer to be an “obstruction of justice”.

This is where it can get a little tricky. Apparently, “obstruction of justice” can be a subjective term amongst the law enforcement community and may be defined as anything from physically intervening between officer and his subject, to standing fifty feet away on an adjacent street corner picking ones nose. Ultimately, it is up to a judge to decide, but in the heat of the moment, It’s pretty much up to the officer to determine what is or what is not “obstruction of justice”.

So be careful, arguing with a policeman rarely ends well for anyone and will usually guarantee you an overnight stay in the Flat Iron Inn. Once again, let common sense prevail. Take a deep breadth, explain your case if you must, but in calm even tone with a minimum of hand gestures and body language.

And above all, never touch a police officer in any way. The law is heavily weighted in their favor to help them do a very difficult and dangerous job. If your camera, film or memory card is confiscated; let it play out in court. Nothing is guaranteed, but never try to bargain with an officer during a heated scenario like this.

http://gizmodo.com/5900680/7-rules-for-recording-police

 

 

This article does not constitute legal advice and is not meant to be taken as such. It does, however, encourage Common Sense. Local statutes may differ from state to state, county to county, etc.. It is always a good idea to check with the local authorities if you are in doubt about anything, different places may have restrictions that are unique to them.

Farewell To MoP

MoP_2013

Denver’s Month of Photography is over. The scope and talent that the local art community brought to this global event was impressive, and, we would venture to say, as ambitious as many of the larger urban centers.

Local offerings were many and eclectic; from a fascinating presentation by Jay Kinghorm on current publishing models in multimedia; to Navajo artist Will Wilson’s exhibition and discussion of not-so-classic portraiture of Native Americans. And of course, The Big Picture Project, an event that Reed Art & Imaging was honored and excited to participate in.

The ‘wheat pastes’ will be coming down soon but anticipation is already high for the next go-around in 2015.

As a devotee of the local art and photography scene, Reed Art & Imaging would like to join with the rest of the art community in thanking everyone who sponsored, exhibited and attended this important and stimulating event.

A special thanks must go out to Mark Sink for his invaluable leadership in making The Denver Month of Photography a raging success!