The Big Picture 2019

Barb Pullin and Thomas Carr "hang paper" at 40 West
Getting permission to paste is HIGHLY recommended.

The Gallery of The Streets

The biennial event, Month of Photography 2019 is in full swing, and a big part of MoP is The Big Picture. As usual, Reed Art & Imaging figures heavily into the mix. To date, we’ve printed over 220 large scale wheatpastes for some 25 artists and photographers. This year’s event marks the first time MoP wheatpaste art has been printed in full color.

For the uninitiated, the most commonly known example of this once ubiquitous advertising medium is French painter and printmaker Henri de Toulouse-Lautrec, who raised the practice of bill posting to the level of street art in the 1890’s with his elaborate scenes of wild Parisian nightlife.

Though the popularity of the art form has ebbed and flowed, it has never gone away, and, in some respects, has even gained in popularity. Known as “flyposting” in the United Kingdom, street artists like Shepard Fairey leverage this old school marketing tactic to make provocative social and political statements, oftentimes in contradiction to the accepted or conventional wisdom of the day.

The basic wheatpaste equation? Image on paper + paste + wall + guerilla attitude = Street Art.

(Street Fine Art?)

As with all things MoP, The Big Picture has been advancing the cause of photography through the art of wheatpaste for some time now. In addition to Denver, Big Picture 2019 exhibitors can be seen in galleries and streets across France, Italy, Switzerland, The United Kingdom, New York, Jamaica and Mexico.

Closer to home, the father of MoP and The Big Picture, Mark Sink spearheads the wheatpaste cause with activities across the Denver Metro area.

Below, Mark & Friends (including some of the Reed gang) on a recent wheatpasting of the south wall of the 40West headquarters in Lakewood.

For more information on MoP 2019 events around town:

All photos by Gary Reed

Westword Article by Patricia Calhoun

Patricia Calhoun of Westword penned a great article about our upcoming move to the 40 West Arts District:

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Reed Art & Imaging Announces Move to Lakewood’s 40 West Arts District

June 13, 2017
For more information contact:
Lu Stasko, The Stasko Agency
303/477-9902 (Office)
720/404-4507 (Mobile)

For Immediate Release

Reed Art & Imaging Announces Move to Lakewood’s 40 West Arts District

— Long-running printmaker has acquired a new home on West Colfax Avenue —

DENVER, CO – Reed Art & Imaging, one of Denver’s oldest fine art printmakers, has purchased a new home in Lakewood’s 40 West Arts District. The company will move later this summer into an historic former movie theater at 8000 West Colfax, which currently houses a Harley-Davidson dealership. The move will provide Reed with more space and the ability to better showcase the work of their extensive client base.

Reed has operated out of its current location at 888 Federal Blvd. since 1979, but changes caused by the City of Denver’s Federal Boulevard Improvement Project, prompted the move. The project, which will add a third northbound lane between 5th Avenue and 14th Avenue on Federal and widen both the northbound and southbound lanes in that corridor, will eliminate Reed’s front parking lot, leaving it with insufficient parking for its customers and more than 30 employees.

“Staying was simply not an option. Our customers often need to pick up extremely valuable large format prints, so without on-site parking and with little street parking available, there was no way we could accommodate them safely and conveniently,” said Reed Owner Bob Reed, who founded the company in 1976 with his wife and business partner, Betty Reed. “Our goal now is to turn this challenge into an opportunity to better serve our customers and increase Reed’s contributions to the local art communities.”

At over 20,000-square feet, Reed’s new home has room for a gallery to display client artwork, some of which include such renowned artists and photographers as Karmel Timmons, John Fielder and Jeff Mitchum. Reed also plans to use its new parking lot along Colfax Avenue for pop-up galleries or art markets, where artists can set up booths to sell their work. Using the new building to host fundraising events for arts and cultural-focused non-profits is also a possibility.

“We are thrilled to have Reed join one of the state’s fastest growing arts district and help us continue our mission of revitalizing West Colfax,” said Bill Marino, Board Chairman and Executive Director of the Lakewood West Colfax Business Improvement District.

Reed plans to stay open throughout the transition to its new home, which is less than five miles from its current location. The company will be making minor renovations to the new site and is currently working with the City of Lakewood to keep the building’s historic signage intact.

“Many of Reed’s employees are artists and are passionate about pursuing their craft, so moving to an area that is focused on advancing artists and creative entrepreneurs feels like coming home,” added Bob Reed.

Family-owned and operated Reed Art & Imaging is a nationally recognized fine art printmaker based in Lakewood, Colorado. Established in 1976 to create elite-level photographic and fine art prints, the company is dedicated to helping professional artists grow successful careers by providing the finest quality art editions and reproductions. To better realize this goal, Reed has developed the “TrueArt Process,” a methodology focused on maximizing the creative equity that artists of all skill levels invest in their work. Reed also provides mounting and lamination services, large format pigment, metal and photographic prints, graphic design services and installation.

For more information visit


Reed Art & Imaging, Richo, and John Fielder Sponsor Picture Me Here Event



Event: “Damak to Denver: A Picture Me Here Project” Exhibit Features Bhutanese Refugee’s Photographs and Stories of their last days in a refugee camp, their journey to the United States and their first days in Colorado. Location: John Fielder’s Colorado & the Denver Photo Art Gallery, 833 Santa Fe Drive, Denver, CO 80204
Exhibit dates: March 6 – April 25, 2015 Opening reception: March 6, First Friday, 5-9pm Gallery Hours: Tuesday-Saturday from 9am-5pm, with extended hours on First Fridays Project Partners: United Nations Refugee Agency, International Organization for Migration, Caritas Nepal, Reed Art and Imaging, Ricoh/Pentax, Colorado Photographic Arts Center, Aurora Cultural Arts District, City Museum of Kathmandu, 258 Kickstarter Donors
Denver, CO (November 22, 2014) – Last Spring, Picture Me Here (PMH), a digital storytelling program for refugees based in Denver, provided cameras and training to Bhutanese youth living in a refugee camp in Eastern Nepal. The young refugees were scheduled to resettle in Aurora and most arrived by August. This training led by photographers and storytelling mentors empowered them to document their last days in the camp, their journey to Colorado and their first impressions of life in the US. Opening on March 6th, John Fielder’s Colorado & the Denver Photo Art Gallery will host an exhibit featuring a selection of these photographs by these individuals as they reflect on the past and start building new lives in America. Photographs and books will be available for purchase. Proceeds support the photographers, the PMH program and John Fielder’s Colorado & the Denver Photo Art Gallery.
PMH started in 2012 working with local refugees. The project in Nepal is their first international project and was made possible with help from the United Nations Refugee Agency. “PMH is committed to fostering communication, integration and connection among diverse groups of people. Participants document their lives and realize the value of their stories while learning new skills in leadership, technology and English” says Brigid McAuliffe, PMH director. Exhibit is open to the public and is free admission. More details about the exhibit can be found, when available, on
# # #
“Everything about the photo says Nepal, from the posters on the wall to the men. It reminds me of how much I love Nepal.” – Keshavi Neupane
“Dhaka weaving is very important and a big part of life in Nepal. The women are like a second mother to me and hold a very special place in my heart.”  – Keshavi Neupane
“This is a photograph of my neighbor. She is sieving rice to make food. Though she’s extremely old, she has the power to see the very small pebbles. This is something she does twice a day, both early in the morning and again in the evening. By seeing this photograph, I realize that every person is capable to do work.” -Bhim Bahadur Bhattarai
“This woman is my aunt. She is cooking curry with some tomatoes in the bowl beside her. The sunlight scatters from the slats in the wall of her refugee hut.” -Bhim Bahadur Bhattarai
“This is the photograph that I took Bhadrapur Airport in Nepal. At this time, I am ready to take a flight from Bhadrapur to Kathmandu, which is the capital city of Nepal. At this moment, I am feeling amazing because this is the first time I am taking the airplane. I am excited.” -Bhim Bahadur Bhattarai
“The woman has to go to the husband’s parents house, when we resettle. I came with my husband to Colorado because that is our culture. My heart was broken to leave my parents. After the camp closes they will go some place far away called Pan Cha Me, in the mountains.  They have a brother they have to take care of in the camp. My step dad does not want to come to America. There was one women who knew my mom and my stepdad. She knew they had lost their partner and told them to marry. They met and fell in love. My step dad likes to hold things in his hands when he takes pictures.“ – Aita Rani Subba
“Mohan is taking water home from the well. The water is for doing laundry. In the camp, Mohan and I did laundry together, 5-6 times a day.  A big family will carry 7-8 times because they have a lot of clothes.” -Aita Rani Subba
“In the camp, we had to follow a schedule to get water in the morning and evening. This woman is getting water for cooking and drinking. We stand in line to get water. Sometimes we wait one hour. America is very different from Nepal. This country is very fast. Very easy.  When I arrived at the Los Angeles airport I went to restroom. I put my hands under the faucet and the water came. How is it? I felt like someone was giving from above! I was surprised! The air dryer also surprised me. At that time a stranger taught me to dry my hands. I used the hand dryer and it was loud. I was afraid.” – Mohan Rai
“We came to America to make life. For our kid’s life. There are lots of Nepali people in Grace Apartments and the park is nice.”   – Mohan Rai
“We put a ceremonial scarf called a khada over the shoulders of the relatives and friends who are departing as a sign of respect and remembrance.” – Mani Kumar
“I used a camera a lot in the refugee camp to capture the last moments of our relatives before they departed for their destination.” – Mani Kumar
Picture Me Here participants and instructors in the classroom
Picture Me Here students and instructors on the last day of class.
Some of the participants at a recent exhibit featuring their photographs and stories.
Portraits of the participants at their huts (taken by the instructors)
Participants learned how to use a camera and they selected images for an exhibit in the refugee camp.





Reed to Sponsor Family Portrait Day at Denver Botanic Gardens

CPAC Fam Port Day-1 CPAC LogoCPAC – We are helping sponsor a fundraiser for CPAC and Denver Botanical Gardens called Family Portrait Day.  6 photogs are shooting at the gardens Oct 6th, 2013 with proceeds going to both non-profits. We are supplying a coupon to each family that signs up for a portrait to get their prints made at Reed. In turn we will contribute 50% of the proceeds to CPAC and DBG

Download the event flyer here: CPAC Family Portrait Day Flyer

About CPAC:
The Colorado Photographic Arts Center is dedicated to fostering the understanding and appreciation of photography in all aspects and genres through promotion, exhibition, and education. Our purpose is to be a premier destination for the photographic arts and to benefit our existing photographic culture by nurturing new talent, expanding concepts, generating skills, piquing interest, and contributing to a sustainable market for collectors and artists. Funding is provided by income from classes and workshops, annual membership dues, donations, and grants. CPAC receives grants from the Scientific and Cultural Facilities District (SCFD), Tier III.