Stop Paying for Expensive Remakes
Diasec Eliminates the #1 Problem Plaguing Facemounts: Separation and Delamination
Cheap sticky films are used by nearly every photo lab in North America to adhere prints to acrylic. The problem with those films is that they fail. It could be tomorrow, next week, or next year. Expansion/contraction of the acrylic due to temp and humidity changes result in a separation between the adhesive and the acrylic – forever destroying that artwork with huge bubbles, tunnels, peeling edges and worse.
When your buyer’s piece fails, you are going to get the call. You will likely be asked to replace the work resulting in expensive remakes, crates, and shipping. Or if you decline, your reputation and brand are at risk.
Diasec gel remains flexible after curing and simply will not separate from the acrylic. Facemounts have been around for over 50 years and genuine Diasec is the only technology proven to never fail. Period.
Informing your prospective buyers why you have chosen Diasec can give them peace of mind and improve your chances of making the sale.
Diasec is THE Facemount Process Accepted by Fine Art Museums Around the World.
Genuine Diasec is so well respected by major art museums that many of them will not accept any other form of facemount. This is another strong selling point for you. It’s truly fine art museum grade and it’s the only facemount that should be chosen for high-value editions.
The print is UV filtered, chemically inert and stable, yet remains flexible allowing it to withstand environmental changes. Photos, and Giclée prints are at last permanently protected against the ravaging effects of humidity.
The available light transmission of the acrylic and the fluid Diasec process allows for optimal light penetration and refraction, enhancing Image definition so your work looks stunning.
Your Options are Clear.
Enhanced color and longevity using Giclée inks and fine art papers.
Traditional latent image chromogenic (photo) papers are options too. Your Diasec panels are backed with another layer of acrylic, (called a sandwich), or optionally Aluminum, composite material such as Dibond®, or left without a backer for framing. Backed prints come standard with a recessed U-Channel frame for hanging – leaving the print floating from the wall with no visible support.
For additional clarity and scratch resistance, TruLife® Acrylic is also available.
Preservation of Your Art
Chemically inert and stable, your image is now airtight and protected from damaging UV and humidity, and is resistant to fungicidal matter, bacteria, and environmental pollutants. It’s THE preservation method trusted by museums of fine art world-wide.
Reed Art & Imaging is the FIRST U.S. Based Studio Licensed to Make Your Diasec Presentations
Diasec® is a worldwide Trade Mark registered by Diasec-Sovilla S.A. in Switzerland, who developed the technique. Proven world-wide with a track-record for stability, Diasec is the go-to presentation for museums and collectors. As protected trade secrets, only approved and licensed print-makers may produce a genuine Diasec. In North America, the only place you can get yours right now is Reed Art & Imaging.